Ridenour Lyrique Aurea A Clarinet Demo Model

$1725.0 Buy It Now or Best Offer
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Seller Store rclarinetproducts
(1208) 95.7%,

Location: Duncanville, Texas, United States
Ships to: US,
Item: 125824620857

Condition:New: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is … Read moreabout the conditionNew: A brand-new, unused, unopened, undamaged item in its original packaging (where packaging is applicable). Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See the seller’s listing for full details. See all condition definitionsopens in a new window or tab
Ridenour:Ridenour
Type:A Clarinet
Body Material:Hard Rubber
Instrument:Clarinet

eBay The Lyrique Aurea A clarinet has been redesigned to make what was previously an outstanding instrument even better, both acoustically and mechanically. The Lyrique AureA A Clarinet now features silver plating with gold posts, a left hand Ab/Eb key, inline trill keys, and comes in a fantastic Protec double case. The Aurea A will amaze you at how securely and evenly it responds and effortlessly it plays in tune. However its real virtue lies in the the velvety warmth of tone that can be played at virtually canon-like volume levels without loss of quality. Yet, it is secure with no upper register “grunts” at whisper dynamic levels. Those who have to switch from Bb to A clarinet will appreciate how well the Lyrique A and Bb clarinets match in resistance. The common reaction of players is “this clarinet plays and sounds like I always imagined the A clarinet ought to play and sound!” Speaking of blowing resistance, the normally stuffy right hand clarion tones common to many popular brands of A clarinets is a thing of the past with the Lyrique A. All the right hand clarion tones, especially the Bell B, respond quickly with a clear, resonant, liquid tone quality. The upper clarion tones are not only full, round and stable in dynamic changes, but, as we have already noted, they have none of the “grunt,” upper clarion “undertoning” problems so common to many A clarinets on today’s market. In addition, the transition from the second to the third register is seamless, virtually eliminating embouchure/air pressure exchange and half-holing needed to secure response on other A clarinet models. Try playing “The Pines of Rome” solos on this A and you’ll get all the wide intervals with a security and ease you never dreamed possible…and in tune! Finally, there is the critical matter of tonal stability in dynamic changes. When you play the Lyrique A clarinet in the upper register and push the dynamic level the sound gets louder without spreading in shape, sagging in pitch and brightening in colour. Relax your embouchure and increase your air to get an even fuller dynamic and note how well the pitch, colour and shape hold together. -Demo models fall into one of two categories; 1. Clarinets which have been used for a limited amount of time, no more than a few days, by schools or private teachers who were testing the clarinet to potentially recommend it to their current or future students. 2. Clarinets with visual imperfections, such as minor scratches on keys, that while having no effect on the clarinets performance justify a discounted price.

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